From Sea to Mountain: time to re-frame the City?

Amphitheatre

Concept Sketch for Foreshore development (1940) from Town Planning Advisors Report to the South African Railways and Harbours Board

Frame (2)

Photograph of Proposal B: Foreshore exhibitions 2017

One of the more visionary elements in the current Foreshore Proposals is the ‘eye’ which would frame a view of Table Mountain from the harbour-side and create an iconic picture, especially for visitors arriving at the port. The idea has echoes of the earliest concepts for the area found in the 1947 Cape Town Foreshore Plan drawings, which highlighted the vista of those arriving by sea.

Sea approach (2)

Artist’s impression of view from Maritime Terminal, from Cape Town Foreshore Plan (1948)

Planners at the time created an over-arching concept for the area with a Monumental Approach from the Harbour towards the City Hall, framed by the Mountain Amphitheatre. For the consultants in the 1940s the Foreshore area was a “…a National rather than a Department or Municipal asset” and the planning was a “…unique opportunity, never likely to recur, of investing Cape Town with the dignity that is appropriate to the ‘Gateway to South Africa’”.

Over the following decades sea arrivals dropped in importance compared to air arrivals, and the words “Gateway to Africa” fell out of step with how Cape Town imagined itself. It is interesting, then, to see that the current Foreshore proposals include cruise terminal ideas. Is it is time to revisit the sea-city connections and the tourism and city marketing possibilities that could bring?

Cruise terminal B (2)

Detail from Proposal B

Table Mountain and its sea approach is a widely loved, and globally known connected vista. As a City have not made much effort to frame it, physically or otherwise, in any meaningful way. In an increasingly competitive tourism environment can we afford to underplay the ‘romance’ of the approach by sea and the iconic vista that few cities can even aspire to? Or is the maritime ‘romance’ too associated with a European history many would rather forget? Could we find a way to physically re-frame this sea approach to Cape Town as part of Foreshore developments? In the process bringing forward the sea stories of all who sail and have sailed around the Cape, not only the wealthy few?

 

 

 

Dreams of freeway utopias: who benefits?

Futurama viewers

Viewing Futurama (Prelinger Collection)

In the Spring of 1937 Shell Oil Company employed stage designer Norman Bel Geddes, to create a scale model of the future, utopian auto city for shows in New York and Detroit. Shell promoted this model, dubbing it the ‘City of Tomorrow’. The head of the Bureau of Street Traffic Research predicted that American cities would be rebuilt in this way in the next 25-50 years. During 1939-40, General Motors (GM) put on a major exhibit at New York’s World Fair, commissioning the same Bel Geddes to expand his Shell model to much bigger proportions. They called it ‘Futurama’.

In the first summer of the Fair, more than 5 million visitors traveled on conveyor belts to look down on the GM ‘Futurama’ model exhibit, as if from an airplane window. In Futurama free movement of autos was evoked across vast panoramas. The film of the exhibit, ‘To New Horizons’ (1940), evoked an America where there was freedom from want, and where mobility – social and physical – meant movement in cars on free-flowing expressways.

In the 1940s South African engineers toured US highway engineering departments and in 1951 the Cape Town City Engineer’s department published ‘Metropolis of Tomorrow’. The document suggests that Futurama-style thinking was important to the South African engineers too.

Sixty-five years on, looking at the Foreshore exhibitions, I wonder: are we still dreaming of a South African Futurama where road space is abundant and a free-flowing utopia is possible? And if so, who benefits from such dreams?

20170308_141258 (3)

Detail from Proposal C

 

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