God-tricks and the Foreshore

Dec 2010 093 edited (762x1024)

It has been seventy years – a lifetime – since the first models for the Foreshore were presented to the Cape Town public. The 1947 model proved to be surprisingly resilient, even if the sweeping boulevards and monumental parades that it presented fell out of fashion. The three-dimensional 1947 model lived for many years in a civic centre lift foyer, beguiling passers-by.

2017 Foreshore proposal (576x1024)

The models and visuals of the latest exhibition of the Foreshore are equally entrancing. They allow the visitor to get a full sense of the scale and grandeur of the current proposals. Visitors can move, as if in an airplane, through the air above the city and see the future visions below.

Donna Haraway calls this way of seeing the “god trick”. Being above such models distances the observer and creates an illusion of all-knowingness. The observer is omnipresent, the Foreshore is under control. The view from above is cleansed of complexity. Looking at models like these of the Foreshore creates a fantasy view. No human will live this version of the Foreshore.

Donna Haraway suggests that instead of god-tricks we could we pay more attention to “diffracted views”. These deny the idea of a single Foreshore story, whether based on roads, or elevated urban parks, luxury apartments or low cost housing. She challenges us to become more open to knowing from a location, and from a particular body.

In practice, what would that mean?

It would mean moving beyond god-tricks, and getting into human bodies, from the proposal stage. It would mean representing experiences of humans in and through the Foreshore proposals, in all their complexity. The woman driver on freeways, on streets, in parking. The man on foot. The child in pram. The householder in high-rise, under freeway, next to port. The business woman in the waterfront, in the City, in the Bo-Kaap. The refugee.

This is not common practice. It feels too complex for planning purposes and for certain it would require Cape Town’s built environment professionals to stretch even deeper into their creativity. But the history of planning in the Foreshore area shows that the many voices of Cape Town will have their voices heard and their experiences validated, despite the god-trick arguments of the engineers and planners. History shows that people can and will call loudly and powerfully for attention. Which is partly why the Foreshore is “unfinished” to this day, despite the impressive models of the decades before.

2 responses

  1. I so appreciate your perspective on matters such as these… always bringing in the human voice, especially of those more vulnerable. I’m curious to see the proposals for myself. Will be heading down to Civic Centre soon.

  2. I love this post – you demonstrate so elegantly and succinctly both why abstracting a planning challenge may be insufficient to move the issue forward, and that there are methods to address this that are complementary and doable, if requiring planners to dig deep into their creativity. Thank you!

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